Farewell My Concubine (1993)
Figures
Form & technique
- The Cultural Revolution "struggle session" scene. → Melodramatic Excess
- The film's opulent, highly aestheticized visual style.
- The scene of Dieyi performing for the Japanese occupiers.
- The final scene where Dieyi commits suicide using Xiaolou's sword.
Tropes
- Cheng Dieyi's lifelong embodiment of the female opera role, Concubine Yu. → The Performed Self
- The triangular relationship between Dieyi (art), Xiaolou (masculine tradition), and Juxian (feminine modernity). → National Allegory
- The severing of Douzi's supernumerary finger by his mother.
- The ritual of applying and removing the Peking Opera makeup.
- The film's international acclaim, particularly its Palme d'Or win. → The Exoticized Other
- Juxian's character arc, culminating in her suicide. → The Patriarchal Bargain
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