Cold War (2018)
Figures
Form & technique
- The film's elliptical narrative structure
- The sound design of the final scene → The Unseen Voice
- The final scene of Zula and Wiktor's suicide in the ruined church
- The film's soundscape, contrasting the diegetic folk music of Mazurek with the jazz of Paris
Tropes
- Black-and-white cinematography and 4:3 aspect ratio → Hauntology
- The transformation of the folk song "Dwa serduszka" (Two Hearts) → The Soft Arm of the Law
- Zula's shifting persona and performative identity
- Thematic and visual allusions to the Polish School of cinema → The Hand-Me-Down Haunting
- The contrasting depictions of Poland and Paris → The Time-Space Crucible
- The evolving arrangement of the song "Dwa serduszka" (Two Hearts)
- The film's black-and-white cinematography and 4:3 "Academy" aspect ratio
- Zula's shifting performance of self, from peasant girl to Parisian chanteuse
- The contrasting key locations: the Polish Mazurek academy, the Parisian jazz club, the Yugoslavian performance stage
Films most connected to Cold War