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Akira (1988)

Film
Meta takes2

Figures

Form & technique
  • The film's aesthetic design and its international marketing campaign.
  • The film's musical score by Geinoh Yamashirogumi.
  • The visual aesthetic of Neo-Tokyo, particularly its neon-drenched, decaying urban environment.
Tropes
  • Tetsuo Shima's final, uncontrollable mutation into a grotesque mass. The Carnivalesque
  • The cyclical destruction of Tokyo, first in the film's opening and again at the climax.
  • Tetsuo's painful and phallic-centric bodily transformations (e.g., his new arm). The Abject
  • The dynamic motorcycle chase scenes, specifically the use of taillight trails.
  • The film's role in establishing the Western "otaku" or anime fan community.

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